Working with Owe Egon Grandics, a Swedish gold- and silversmith and artist, this project grew as much from dialogue as from design. Through sketches, mockups, and email exchanges, the identity evolved around ideas of weight, time, and the sense of objects recovered rather than produced. Owe’s background in goldsmithing and his fascination with maritime archaeology and baroque forms shaped the early direction, while each iteration refined the balance between rawness and precision.
The visual system reflects clarity and character, supporting the jewelry without overshadowing it. It’s less about decoration and more about presence — artifacts carrying traces of history, craft, and personal intent.
A project rooted in collaboration, iteration, and shared purpose.

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